Thursday, 31 March 2011

Hand Drawn Designs


These are the potential designs that I drew out for the print productions. The top image shows the inside panels of the digipack, while the other image shows the the front and back panels of the the digipack.

Tuesday, 29 March 2011

How the Stop Motion Footage was Shot

Different methods on how to use stop motion were thought of, with design models being made to test the effectiveness of each method. Method one was to used one word per an A4-sized piece of paper, with the text being printed off the computer after the use of a word processor. The shot would then only show a change in word and not the background scenery of the mise en scene. Method two was to use post it notes with the text being handwritten. The post it notes would be stuck to a white paper background in different shots, with only one note in the first and two in the second etc. Method three was to stick together post it notes to create the words of the chorus. The letters would spell out the words, and be filmed on a paper background being similiar to the other methods.

After the testing process method 3 was not effective, with the time that the text took to produce being too long. The letters that were made were also too large for the quality of the music video to be of a good standard and being bigger in size than the paper background. The vocals were also of a too quick tempo for the words to be able to be spelt out as the words are being sang. Methods 1 and 2 were both successes, with the only problem being with method 2 and the movement of the post it notes during the practise shoot.


After the planning of the shoot for the stop motion, the filming was started. I decided the easiest and most effective way of the text being shot without the problem of shaky handheld camera shots, I used an camera tripod. This meant I was able to keep the camera fixed in the same direction, creating the same location for all of the shots. The tripod was set up infront of a door in my house, as the papers with the text written on were stuck on the door with the use of blutack. An example of how this looked is shown in the image above. With the use of paper markers I managed to keep different pieces of paper stuck to the wall in the same position, this meant that the camera position did not have to be changed which would have caused an issue with the timing of the shoot.

Tuesday, 15 March 2011

Question 1: In what ways does your media product use, develop or challenge forms and conventions of real media products?

The brief for the production was to create a music video for an unsigned British band, before making a digipack for the single and a poster to advertise the new release. This meant I had to use and develop on my skills of using real media products that I used for my previous thriller production to create an interesting and convincing production. One of the media products I used were my skills were developed was the use of a video camera. The representation of the mise-en-scene was much different to the way it was used in a thriller, with the genres contrasting each other and the appeal of the target audience being different. In the thriller production noir lighting was used, while in the music video the lighting used was bright symbolizing the fast and happy beat to the song. This is shown in the shot of the male character playing the guitar with the sun shining down onto him, to establish his talent and anticipating his iconic states. The bright lighting used with the fast beat relates to the music video for ‘A-Punk’ by Vampire Weekend, meaning one of Goodwin’s theories is used - intertexual reference.

A music video is very different to a film production, shown in the camera shots that are used. My music video doesn’t follow a strict narrative structure, which means the camera angles are used to market the artist rather than suggest menace and suspense. I used close ups of a guitar being played throughout the production to symbolize the indie pop genre, with guitars one of the main instruments and iconic aspect of the genre. This is used at the beginning of the music video with a close up of fingers strumming a guitar. The use of close ups also helped to define the costume of the characters in the music video, for example a close up shot of the female character’s shoes. These shoes didn’t really fit in with the indie pop genre though as I filmed a few shots spontaneously and thus the shoes challenge aspects of the indie pop conventional costume. An example of this would be the walking scenes based halfway through the music video.

Throughout the whole of my filming I used a Canon, a make that is renowned for shooting quality home made films for many in the early 21st Century, and this quality is a conventional generic trait. A music video that portrays such a technique is ‘Your Song’ by Ellie Goulding, who shot a music video with the same vintage look, which used a majority of shots focused on the female.

The main music video that inspired me was ‘Your Song’ by Ellie Goulding. I was using a blonde actress and a performance based montage style narrative structure. I decided that I would try to install the same idea of the use of a clip show of shots. ‘Your Song’ is based around the idea of love, a theme of indie artists such as Ellie Goulding, Florence and the Machine, and The Kooks. The chorus of my chosen song used the lyrics “You don’t know. You don’t think”, which suggests a romantic relationship. ’Your Song’ uses shots that are edited to look like a home video, making the music video look like a series of vivid memories captured by a person about their loves. I adapted this into my own music video, yet challenged the conventional ending for a love story. The male and female characters are only seen together in shot twice, one of these times showed them being separated by a tree when I shot the tree collapsing to indicate their hopes are falling apart. At the end of the music video the male and female look as if they are running towards each other before they both fade away before reaching each other, implying the fading idea of an impossible dream.

Throughout the music video there is a strong use of post-modernist gender theory, with both the characters being represented as equal through the use of close ups. An example of this would be the close up of the female up during the snow scene and the close up of the male character playing the guitar. However the female isn’t represented to play the guitar, suggesting that females are still marginalized as artists in the music industry.


The use of a guitar was quite important for my music video, with the involvement a generic convention. The indie genre, for example, uses performance based shots in most music videos to help establish the artists’ performance credentials. These artists include Vampire Weekend, Scouting for Girls, and The Wombats.


Whereas, compared to pop music videos, this isn’t shown as much as the artists do not establish their career on live performance. I have used shots where the male character is playing the guitar casually, to create a connection between both artist and audience.

When researching media productions for my print productions, I discovered that many bands used shots of guitars in their digipacks. For example artists like Jack Johnson, Taylor Swift and The Kooks.

I decided to challenge this convention as I found it a dreary image which doesn’t market the artist as unique or distinctive.

For the front cover I decided to take inspiration from Ellie Goulding’s album again, adapting the way that the images on the front cover of her singles are used.

I had researched into the idea of showing both characters, male and female, on the front cover taking ideas from Velvet Mustache’ by White Apple Tree; or using the idea of just the male character from the front cover of Cardiography by David Vertesi.

Yet from the images that I captured, the most suitable image that could be used on the front cover of the digipack was of the female character. The image shows the female standing in front an edited white background suggesting that she feels lonely and vulnerable, yet also suggesting she stands out like an angel. With the use of Photoshop the image was adapted into something more appealing to the audience, and the name of the artist and song title was added in black font to help stand out from the white background.

The inside panels of a digipack are images that intrigue the audience, yet their main purpose of being there is to make the CD stand out and for decoration. I used my own creativity and inspiration to design both images, taking them from my music video and using Photoshop to edit the pair. The left panel (second out of the four) will be the image that the audience will see more, with the other panel having the CD cover it. The names of the band members were installed onto this image, giving them more familiarity with their audience. The text is in white font, helping to make it stand out and grab the attention of the audience’s eye. The colour of the background is dark clashing with the white of the snow to add a scene of drama. The use of black in the image with the ghost like editing of the characters symbolizes the temporary nature at young love.

The right panel of the inside of the digipack (the third panel out of the four) is the panel where the CD will be situated. This image is of the male character playing the guitar while the sun shines down onto him. The image is super imposed with the eyes of the female character, suggesting that she is his muse. This panel contrasts to the mood of the left panel, with bright colours used instead of the dark colours in the other panel to add contrast.

The back cover of a digipack is where most of the institutional details are held, including song titles, the record label, and the band’s website. The image that I used for the back cover was of both characters leaning up against opposite sides of a tree.

I used Photoshop to change the colours of the image, making the left side of the image (the side of the female character) black and white, while increasing the contrast and brightness of the right side of the image (the side of the male character). This idea was used to highlight the contrast between the male and female characters. I input the informative text in the middle of the image, situated on the tree, as the image follows the rule of thirds so the audience’s eye is attracted to the information about the album.

With the text on the back cover important to inform the audience I researched different fonts to find out each one appealed to the audience the most. Using the website ‘dafont.com’ to look at different types of font I was able to narrow it down to a shortlist of two. The two fonts were; Hand of Sean and Verdana. After trying both and seeing which best fit the image, I chose Hand of Sean.

In the 21st century the way that new albums and artist are marketed have completely changed and developed thanks to technology, thus making the research for my advertisement poster difficult. Only a few artists use magazine adverts nowadays, so I decided use ideas from all genres. I was inspired on how to design my poster from the help of two posters; one advertising Italian heavy metal band Arthemis, and the other being the English RnB group N-Dubz.

I took the designs that both had used and developed them together. I used the inclusion of the front cover of the digipack on the poster from Arthemis, along with the use of persuasive text, such as “the world’s greatest songwriters”, to help the sell the album. I then merged this with the use of an image as a background instead of just a plain colour, inspired from the N-Dubz poster, challenging the convention for most unsigned indie bands that use a white background or an image of the band members themselves.

With the help of Photoshop, I decided to use an image of the feet of both characters from the music video with a picture of the front cover of the digipack in between their legs, using the rule of thirds again to make the audience attracted to look at the album.

The input of positive text of the album was essential for the poster to help encourage the audience to buy it; this being used at the bottom of the poster underneath the character’s feet. Website information is included so potential fans can find out more about relend.

I also had to research the font that I used for the name of the artist and album, using the same website as before ‘dafont.com’. After looking through the fonts that I believed would suit the genre, I decided to use the ‘Green Pillow’ font, with it having a conventional indie pop look.


Inside Images for Digipack


Second Panel

Third Panel

These are the design that I have made for the inside of the digipack. These are still provisonal designs as I am waiting on feedback from an chosen audience to give their views on both images.

Advertisement Designs

I have created three designs of my advertisement posters which are slightly different to each other. I am going to ask a small number of the target audience to choose which they believe is best, and which one they would be more attracted to. I would then put together the results and choose the final design which has the most votes.

These are the three designs:

Design 1

Design 2

Design 3


Final Design - Panel 4 (Back Cover) of Digipack


This is the final design of the back cover of the digipack.

Monday, 7 March 2011

Research on Advertisement Posters


Many artists, especially those who are unsigned or fairly unknown, use advertisement posters to inform the public of their new EP and advertise their music to a wider audience. How advertisements are designed and used depends on the genre of the music and of the views of the target audience, with the band wanting to appeal to them with something that they like. For example when researching I found various adverts of different genres. The background colours and added images represent the genre, even though many are in conventional ways which may not represent how the band seen their music.



These adverts show the front image of the EP/album being used on the posters. This helps to make the viewer famliar with the album cover, making the viewer more likely to buy the album if they saw it in a shop on the highstreet. The adverts also have quotes, from critics reviewing the album in at the most ten words, or rating (Out of 5 stars or out of 10); these quotes are also positive if not no one would buy the album. These adverts are not only to advertise the band's new music, but to advertise the band themselves. The posters include the band's websites, the band's logo, and the record company's logo to help promote them as well. Some bands also set up album launch parties if they are a band that are still relatively unknown, using the party to gain more fans and spread their name.


Tuesday, 1 March 2011

Record Label Logo

To make the digipack look more professional I had to add a fake record label on the back of the CD case. With the use of found pictures from the internet not allowed I had to make my own logo on Photoshop. I decided to going with a logo that was simple yet effective, choosing to use a star placed right next to the name of the record company.
This is the image of the star that I used. I managed to find a font which used stars as letters, meaning there were lots of different designs to choose from, with this design being my favourite. The old, vintage look of the image linked to the indie genre, with vintage sounds used in the music and vintage clothes wore by the target audience.

This is the font that I chose to used, along with the name of the record company I came up with. After looking through fonts I decided that this one fitted best with the image of the star, with nearly the exact same design used for both. The font also has a funky look to it, making it much more interesting to read than just a plain 'Times New Roman' font.

This is the finished design that I made for the record company logo.